The Process of Writing.

One question people ask writers all the time is, "How do you come up with the ideas?" It's a question all writers are uncomfortable with not because we get asked it all the time, but because I don't think the bulk of us know how to answer the question. It's not that we're being cagey- It's just really hard to describe- even for people who describe things for a living.
I'm working on my 6th novel right now. It's still pretty early on in terms of a novel- 10,000 words (Most novels are 90-135,000 when they're finished.) but it's at this point the idea you hope will end up being a novel actually does, or doesn't, take on a life of it's own.

This novel started as a dream and a phrase. "Inside and outside." The dream was vague, a variation on the film The Game directed by Fight Club Director guy where I, in the dream, did something bad that wasn't what I thought it was. I sat with this for a while ( a week or two) , then just before Christmas I had the image of this kid waiting for a train. He's going somewhere fun, but this guy sitting next to him is bothering him. That was it. No details. I go down to Florida for a relaxing vacation. When I get back, I know the kid meets the other main character in this train station- but I don't know who the other main character is.

When I write, it's like I'm watching a movie inside my head. The entire scene is just there in the mind's eye and you try to describe as best as you can what you're seeing. It's like a 3-d moive though- you can go into the charaters and know their thoughts or feelings at any given moment, rewind and replay the same thing from multiple angles.

But here's where it gets tricky- at the best moments, I in no way feel like I'm writing WHAT is happening, I'm only writing HOW I'm seeing what is happening on it's own. It's like watching a thriller where you are absolutely guessing and rooting for what you want to have happen, and I believe that rooting influences the story, but in the end, your just watching the movie and you find out what happens when you get there.

For instance, when I started writing my last book (Clearing at the End of the Path- 1st 3 chapters available here. ) I had a female character I was just going to have this serial killer kill in the virtual world as a way to introduce the theme of the book. Only when I started to write, that's not what happened. He didn't kill her- she killed him. The scene stayed in the book, but ended up 3/4 of the way through instead of at the beginning, and it's meaning was totally different. This girl became Molly, the main charater of the entire novel, totally changing the tenor and eventual result of the book.

I didn't mean for that to happen. I don't care how weird or "cheesily mystical" that sounds. I'm as cynical as most people, if you don't believe that, read a few old entries. Still, there are great swaths of this thing we call existing that I don't begin to claim I can understand- and while I don't understand where this writing thing comes from, I'm indescribably grateful to be able to do this thing- and I say that at a time my writing has cost me a hell of a lot more money than it's made me. Every book I hope someone will come along to help on the financial end of things, and when they don't all I can do is write another novel- the writing is the reason, the publishing is the gravy. Granted, I really like gravy.

Farneheit WINS

In yet another wacky twist- Farenhiet 9-11 beats out Shrek 2 and Spiderman 2 for the People's Choice Award of the Best Movie in 2004. Sp2 and Sh2 collectively made 10X the money Farenheit did, yet F911 wins!
See the entire segment here.
To quote the thankfully now sans-career Yakov Smirnov, "What a country."
I can't wait to see him win another Oscar.
Oh, and by the way, did anyone else catch the 6th Grade Michael Moore logic line in last night's episode of 24. The show's always been a little right of Stalin politics wise, but this season they're spreading it on a little thick. It's like Wolfowitz is a script supervisor or something this season.